Two new compilations were added to the year-end lists last year, which I hope to continue. Giving more value and recognition than it deserves is the very definition which we will explore in this list, particularly in the music industry in the yesteryear. Unlike last year, I will give the justification for the songs being classified as overrated. This list takes a closer look where the music industry went wayward in 2017. For a year that was dominated by Pop the genre experienced its highest highs and the lowest lows. Ed Sheeran’s Shape of You takes the crown followed by Demi Lovato’s Sorry Not Sorry and Miley Cyrus’ Malibu. This list like the year itself is dominated by Pop with a few Rap entries. So here are the 10 most overrated hits of 2017 (there are 5 dishonorable mentions included as well):
1. Ed Sheeran – Shape of you
Some of you may wonder why I gave this unpalatable position to the reigning pauper prince of pop; but let me tell you why last year’s global numero uno tops this list. Shape of you may have a catchy tune, but dubious similarities between TLC’s 90s global smash No Scrubs led to Sheeran naming the producers/writers of No Scrubs as songwriters of the song. Moreover, no one can deny that the beat is also very similar to Sia’s Cheap Thrills, the dancehall hit which preceded Shape of You. Given Sheeran’s notorious past with alleged plagiarism with Matt Cardle’s Amazing for his hit Photograph, I’m not loving the shape of this song.
2. Demi Lovato – Sorry not sorry
An annoying peppy girl power anthem released during the summer with a chorus full of repetitive lyrics is bound to be a hit, especially when it is sung by a popular artist whose social media following is through the roof. This braggadocious track is Lovato’s most successful hit to date trumping the likes of Skyscraper and Cool for the Summer, which are some of her better work. Demi I’m sorry, not sorry for dissing this song.
3. Miley Cyrus – Malibu
Cyrus is a classic case of an early life crisis. After the tiresome perky Hannah Montana days Cyrus proved that she cannot be tamed nor stopped, as the twerking young star went gaga. Crossing over to the dark side, her music changed drastically alongside her persona and wardrobe. So, when she returned to the mainstream with Malibu four years after Wrecking Ball, we were all shocked that it was not shocking. The transition to the hillbilly roots of her father may be as a result of her relationship with Liam Hemsworth, who may have inspired the song. So we will have to leave her in Malibu with her mediocre music, as we won’t fall for another overrated hit from her.
4. DJ Khaled ft. Justin Bieber, Chance The Rapper, Quavo and Lil Wayne – I’m the one
When a DJ/producer cannot sing they recruit vocal powerhouses such as Sia, Nicki Minaj or Usher. But what happens when they opt for some of the most popular artists of the time. I’m the One is a result of a mammoth collaboration of the most popular Pop act (Bieber), the most critically acclaimed rapper (Chance), the most popular rapper (Quavo) and of course most hits on Billboard Hot 100 Wayne); even then what we received was a production of varying rap verses tied together loosely by Bieber’s chorus. Oh DJ Khaled! We don’t want another one.
5. Taylor Swift – Look what you made me do
What do you do, when you break up? Curl up into a ball and cry in bed. But Swift channels her emotion from a breakup into producing a global hit. With the hype surrounding her latest album Reputation, Swift targeted all the celebrities she had ‘bad blood’ with at the time. In addition, she made it seem like her sound had evolved from the previous peppy Pop to that of an edgier and darker version. However, this attempt failed abysmally as the electroclash adopted was a genre fiasco while the usual pettiness of her lyrics remained. I’m sorry but we need the old Taylor back.
6. Katy Perry ft. Skip Marley – Chained to the rhythm
Katy Perry is not new to overrated hits. Her California Gurls, Firework and Teenage Dreams are mediocre Pop songs that have all topped the charts, following the anticipation of their release rather than their quality. This again is evident from the initial success of Chained to the Rhythm which featured the grandson of Bob Marley which was an unpleasant surprise. Due to the mediocrity of the lead single off her album Witness, the later singles suffered as Bon Apetit and Swish Swish failed to obtain any proper success although they were much better than Chained to the Rhythm.
7. Eminem ft. Beyoncé – Walk on water
Eminem’s last proper hit was The Monster back in 2013 with Rihanna. Thereafter, whatever success he experienced was average at best. So Marshall Mathers explored avenues for his comeback. Reverting to his old sound he recruited the major names in the industry at the time for his Revival album out of which Walk on Water was the lead single featuring Beyonce. Did it achieve hit status because of his much hyped up return or was it due to the biggest diva being featured? We will never know. Expectations were high on this one, but he failed to deliver.
8. Luis Fonsi & Daddy Yankee ft. Justin Bieber – Despacito
Don’t get me wrong, the original Latin sultry rendition of Luis Fonsi & Daddy Yankee is something to be praised, but this is about the Bieber Spanglish remix which launched the song into the mainstream. While the song deserves its due as a brilliant production, the hype of it is overrated as the phenomenon that unleashed Latin music into the mainstream is unbelievable. Enrique Iglesias ft. Gente De Zona and Descemer Bueno’s Bailando is a much better production and a better Latin dance song overall. However, Iglesias missed the top of the charts whereas Fonsi ruled the global charts for a while.
9. Zedd & Alessia Cara – Stay
This is yet another hit which was a result of an unsavory partnership. While I love Zedd’s and Cara’s music individually, this is a collaboration that should never have happened. While Cara’s vocals must be commended, the song itself is mediocre where the tempo and the beat are all off. Zedd’s follow up singles Get Low and Happy Now were much better than Stay while Cara has still been unable to produce a hit as great as her Here.
10. Kyle ft. Lil Yachty – iSpy
There is a Rap song every year that somehow becomes hyped up due to a catchy beat or lyrics and reaches the higher echelons of the global charts. Last year it was Desiigner’s Panda which went viral due to sampling Kanye West’s The Life of Pablo. This year Kyle managed to achieve this with an annoying beat, coupled with an even more irritating and nonsensical set of lyrics. Recruiting Lil Yachty who had a hit with Broccoli in 2016 also helped him gain chart mileage.
Dishonorable mentions:
11. Big Sean – Bounce back
12. Halsey – Now or never
13. Khalid – Location
14. Migos – T-shirt
15. Aminé – Caroline
At Ease!!!
